Dipesh released a hamster in an agency to get his foot in the industry. It’s that kind of irreverence he’s built his career on, making it ​an integral part of his work and life.

After making a name for himself at Digital Agency of the Decade, Dare, followed by a good stint at M&C Saatchi, he joined Brave where he’s an ACD / Art Director.

Dipesh has picked up his fair share of awards, but gets more kicks from creating work that help​s shift and change culture for the better. Career defining moments include trying to show the funny side of mental health. Helping launch Brixton Finishing School with their first campaign. Turning overgrown lockdown locks into a donation mechanic for The Little Princess Trust and John Frieda. And forcing Mattel, Hasbro and Disney to adopt a zero-deforestation policy, saving an Indonesians rainforest from destruction.

Most recently he helped win 250K in media for Brave’s kinkiest client, Lovehoney in the Oceans’ competition. Oh, he was also banned from LinkedIn for using a dildo as a mic.

Scarlett Montanaro is a Creative Director at Revolt, previously from 18 Feet and Rising and AMV BBDO working on brands such as Pepsico, Mars, Bacardi, and Guiness. Outside of advertising, she co-founded the global non-profit, CRACK + CIDER, a shop that allows the public to buy useful items for homeless people.

Venture Culturist- Sherina is Group Creative Director at 72 and Sunny. She served as brand lead of Instagram Global and Unilever brands for Ogilvy. Sherina also collaborated with the Roots to create new music and directed films for both Unilever Campaigns and for The Roots with Citizens Bank, before moving onto shaping culture in the optimistic powerhouse that is 72.

Sherina has a passion for connecting clients to culture. She has served as EMEA Creative Director for Beats by Dre, overseeing some of the most impactful social and digital content in the history of the brand. Before returning to the U.S. she served as creative director for COPA90 London where she worked on Adidas, Nike, Uber, Brand USA and Women's World Cup 2019.

Passionate for big ideas that change thinking, Sherina collaborated directly with the Guardian to create a viral campaign called #StandfastforJustice which contributed to the release of detainees at Guantanamo Bay and also created and led efforts for University of Phoenix to transition their communication and impact in communities of color by creating the documentary ‘Saving Tomorrow Today’ and a news hub that became the top source for Black parents to find solutions for the challenges their children face within education in America.

Sherina donates her time outside of work to organizations that are passionate about democratizing equal rights and access, serving as President of The One Club's One-ID board and POCC US. She mentors for The One Club’s Creative Boot Camps in South Africa, and has served as an instructor at Miami Ad School, where her students have created award-winning work garnering Pencils, Clios, Addys, Webbys and and Lions.

Alistair has been in the industry for over 20 years. During this time, he has had a number of exciting roles, most recently Creative Director of London-based creative agency Waste. Campbell was laterally the ECD at We Are Social’s London office, where he was responsible for creating the LEGO AR Shop named among the most innovative UK campaigns of 2019 and bringing in new clients including Vodafone and Amazon Prime. Prior to that he was Creative Director at Guardian Labs and ECD of Agency Republic. His work spans a large variety of sectors and brands, with notable campaigns for PlayStation, Converse, Audi, first direct and recently TikTok.

Christian spent the first 7 years of his career at Turner Duckworth, working on fmcg global brands such as Coca Cola and Andrex and own label packaging for Waitrose, Homebase and Superdrug. He then went on to co-found Designers Anonymous where he worked with start-ups, and established brands, strengthening their position in the market using strategically creative design. Designers Anonymous also developed a house range of design-led products from greeting cards to homewares, sold in retailers including Harrods, Selfridges, The Design Museum and MoMA.

Christian's passion for design isn't confined to office hours, some of these 'side projects' have become commercial successes in their own right. He has a range of homeware available in the Tate gallery shop. Christian returned to Turner Duckworth as a Creative Director in 2015 and since his re-arrival has led projects for Samsung, JDE, TiOra, Medivet, Boston Beer and Dunkin

I am the Creative Director and Founder of the Bank of Creativity, working with agencies and brands to create compelling content to engage their audiences and generate big interest in their product or service.

One of my recent campaigns helped to encourage donations for Neuroblastoma sufferer Isabella and it went viral with 30 million views across social media and reached national press and TV news.

I also directed the music video and social campaign that led to the NHS beating Justin Bieber to Xmas Number 1.

As well as this, I have 50,000+ followers on social media, including the community user-generated content platform One Minute Briefs which encourages instinctive creativity. I hosts annual events, hold educational workshops with D&AD & the V&A and delivers talks at agencies, universities and the likes of BBC, Glug and Pecha Kucha. I recently released my second OMB book and I also have books published for Agency Quotes, which is a popular social feed where the creative industry around the world share all the #ThingsYouHearInAgencies.

In previous roles, I have worked on campaigns for the likes of Sofology, Missguided, Very, Betfred, NHS, Formula-E, Manchester United, Hartley’s, Aldi, CrossCountry Trains, Russell Hobbs, Jacamo, American Airlines, Go Outdoors, N-Power, Vimto, Evans Halshaw & webuyanycar.com.

I have won a variety of awards for my work including Grand Prix at the Roses, Creative Circle, Campaign Big, Great British Entrepreneur Awards and my campaigns have been featured in publications such as Buzzfeed, New York Times, Adweek and The Drum. I also received a special invite to Downing Street, won Theo Paphitis’ business award and was named as one of the people of the year in The Drum’s New Years Honours List, as well as being announced as an ambassador of the High Sheriff of Manchester.

I am also on the board of the DMA North and MPA whilst being an ambassador for NABS.

I’m older than I look!

Over 25 years as a designer/director at some of London’s most creative brand agencies, Brandhouse, Futurebrand, Turner Duckworth and Bulletproof. Love big, bold ideas so I’m really excited to be involved with the chip shop awards for the 1st time.

Sherman Winfield is an executive creative director based in VMLY&R Atlanta.

Winfield plays a key role in the agency, inspiring and invigorating creative teams to drive award-winning work and excellence in the consumer experience. He support key creative accounts for VMLY&R Atlanta and VMLY&R Kansas City.

The work he’s done has won at all the local and international awards shows, including multiple Cannes Lions, Best in Discipline at One Show, D&AD pencils, Effies, Best in Show at Adstars and everything in-between.

Winfield started his career at Crispin Porter Bogusky, spending time at other agencies such as iCrossing and McCann New York. He has also worked across a number of global brands such as Coca-Cola, Domino’s, Delta, Best Buy, Kraft Mac & Cheese, Jell-O and Obama for America.

He is also an avid sneaker collector, with well over 130 pairs to his name. He created a custom Air Jordan sneaker that payed homage to the “Crying Jordan” meme. The sneakers caught the attention of every major sneaker and sports outlet, including Sports Illustrated, The New York Times and ESPN. He is a proud husband, and father to his young son

Damon has spent the last 26 years working at some of the UK's best agencies for some of the UK's best agency owners. Starting out at FCB in 1986, he soon moved to Gold Greenlees Trott to work for the legendary Dave Trott. At the tender age of 23 he accepted the role of Deputy Creative Director at start-up Leagas Shafron Davis Chick. He then moved to Saatchi and Saatchi where he became the agency's youngest ever group head. Soon after the Saatchi brothers left so did he, to go to Abbott Mead Vickers to work for the industry's other legendary Dave, or rather David.

After moving to Lowe he was promoted, by the legendary Sir Frank, to Executive Creative Director. This was followed by an adventurous few years as Creative Director at Mother, where he oversaw the Boots account. Whilst there, he and his team helped Boots enjoy their best Christmas trading period ever. Two years running. In 2008 he joined RKCR/Y&R as Executive Creative Director to partner its CEO Richard Exon. Under his tenure the agency became the most awarded in the UK, winning its first D&AD pencils and claiming the country's number one spot in the Gunn report, as well as reaching number one in Campaign's new business league.

Despite winning awards at all the major industry awards he is most proud of being the only person in advertising to have won two BAFTAs. He was included in Adage's 'Creativity 50' list of the most influential and inspiring creative personalities alongside Lady Gaga and James Cameron (whoever they are). As his job description has evolved so has his obsession with all things digital, culminating in his being invited to lecture for Hyper Island and learning to code. He's a black belt in karate and is married with two children, one dog and a motorbike.

André Laurentino, better known as Dedé, is the CCO of Ogilvy UK. Brazilian born Dedé was one of Brazil's most awarded art directors for 10 years. He then became a copywriter and soon went on to win the same accolades in his new role. Over the past 25 years, he's done award-winning work for brands such as Visa, Volkswagen, Audi, Nissan, adidas, Hellmann's, Dove, Comfort and many others.

Dede has over 30 Cannes Lions to his name, as well as D&AD and The One Show pencils. Alongside his career in advertising, Dede is a published author (a novel in 2005, collected essays in 2017) and also wrote TV series for Globo TV – Brazil’s largest TV network. He was a regular columnist for newspaper O Estado de S. Paulo for 10 years and has collaborated with drawings and cartoons for various magazines and newspapers.

Omar was fortunate to start his career in Peru 14 years ago and equally fortunate to move away - more than once – to work for different markets and cultures. Since 2014, he’s been with BBH Singapore (Ad Age International Agency of the Year in 2018), and prior to that, he worked at Leo Burnett’s global headquarter in Chicago, where he was selected as one of the ‘30 Under 30’ professionals in Marketing and Advertising by Forbes.

He’s created work across different media for some of the most famous brands in the world including Nike, Ikea, Uber, P&G, Kellogg’s and McDonald’s. Work that has been recognized by reputable award shows including Cannes, One Show, Clios, WEBBYs, New York Festival, London International Festival, and many others. Additionally, he’s been previously invited to judge the D&AD and New York Festival.

Ben met Stu, his creative partner and Co-Founder of Creature, at Bucks Ad School, and has stuck with him ever since. They did a few placements around town, but ended up at Mother, where they worked all the hours they could find (and a couple more) to land themselves a job at the best agency in town. He - and they - spent the better part of the next decade there, working (and winning awards) on pretty much every client in the building, before ripping the agency’s creative heart out when they left to set up Creature with Dan in 2011.

Ben has two daughters under the age of eight, so if he ever looks a little tired, that’s why.

Jo’s a dynamic creative leader with over 20 years experience and an ambition to affect positive change through disruptive solutions. This vision has seen her win a plethora of creative awards, including a gold Cannes Lion in 2019.​ ​ Jo is a huge advocate for diversity and inclusion both inside and outside of advertising. 

She’s created and curated large thought-provoking exhibitions which gained wide-reaching organic PR coverage from Elle to The Independent. She’s also the founder and host of the popular non-profit event, Good Girls Eat Dinner which has one simple mission: to provide visible, kick-ass, female role-models across the creative industries and beyond. It’s the best dinner party you’ll ever go to and has over 7,000 Instagram followers.​ ​

Alongside awards Jo has proudly collected various accolades including Young Creative Council’s Badass Gal, Pitch Magazine Superwoman, 40 Over Forty list, and HERoes Top 100 Role Model Women Executives.​ ​ She frequently judges awards and regularly speaks at events and conferences, such as SheSays, Creative Equals, and WOW (Women of the World festival).

She’s also often invited to share opinions on live radio shows and podcasts, such as Monocle Radio, BBC London Radio, the Ricky Richards podcast and BadAss Women’s Hour.

Lisa is the Executive Creative Director at Jones Knowles Ritchie and has over 20 years of creative industry experience. She most recently led the brand transformation of Burger King to help improve their quality and taste perception by using design to make the BK brand and the food even more craveable across the full brand experience.

She is the former ECD of Chobani, where she was responsible for the rebrand across design, packaging, digital, advertising, experiential, partnerships and innovation. There, Lisa put creativity at the heart of the business, transforming the brand, growing its product offering and increasing its customer loyalty, directly translating to top-line growth. 

Prior to Chobani Lisa was Head of Design at Wolff Olins NY, focused on creating striking, ground-breaking and commercially successful work including USA Today, Grubhub, Zocdoc and The Met. Lisa has been the recipient of seven One Show Awards, four Art Directors Club Awards, and Editors Choice at the Dieline Awards. She has received a Brand Impact Award in Culture for The Met, a Cannes Lions Silver and a Fast Company Innovation by Design Awards for the rebrand of USA Today, and several other awards for her outstanding work. 

In 2016 she was the foreman judge at D&AD professional awards for Graphic Design and has also spoken at DesignThinkers, Creative Summit, and . Her work has been featured in FastCo Design, Wired, Creative Review, Design Week, Adweek, Computer Arts, It’s Nice That, New York Times, and more. 

Larry is Tupac at an ad shop. At least that’s what his bio on LinkedIn states. He is currently a Creative Director at Laundry Service. His accounts include Jordan Brand, House of Hoops, Hennessy, and UBS.

Aside from that, he is a back pocket book reader, object painter, Ancient Alien travel enthusiast, aspiring Pokémon master, Herald of Galactus, and wolf.  

Adweek recently recognized Larry as part of the 2020 class of The Creative 100.   Larry is a M. Ad School of Ideas graduate and teacher. He previously worked at Alma in Miami, and 360i in New York. He’s created broadcast, digital, and social campaigns for various brands such as Champion, McDonald’s, Oreo, and Canon.

Jeffrey has spent his career perfecting his craft at some of the top creative agencies in Canada and the United States.

Prior to joining Sid Lee, he led global multi-channel campaigns for Google at Mullen in Boston and was part of the team that took the agency to the Advertising Age A-list twice, Creativity’s “Innovators of the year” and the Forbes Top 10 Ad Agency list.

At Sid Lee he co-led the iconic “We the North” campaign for the Toronto Raptors and has been a key player in growing the agency’s reputation on the global stage.

His work has been awarded with multiple prizes at Cannes, D&AD, Clios’s, One Show and Art Director’s Club. 

Stacey has worked in the industry for 9 years with her creative Partner Jack Croft. Starting out in 4creative they were the creatives behind award winning work for Channel 4 News, E4 and The Great British Bake Off. The pair then moved to Wonderhood Studios as the founding creative team and were shortly after named one of Campaigns top creative duos. After 2 years with the start-up they were integral to winning Branston Pickle and Three mobile. And have made award winning project work for Comic relief and Nike.

She was made Creative directors overseeing all of Mizkan’s business, including Branston, Osu Vinegar and Sarsons. 

Emma is a rare breed of creative director with a much sought-after mix of creative skills and experience, highly relevant for today’s world. From starting out as a junior writer at a creative ‘hot shop’ advertising agency, to running direct agency OgilvyOne, the integrated Ogilvy Group UK and most recently CCO of one of the UKs foremost digital agencies, Digitas UK,

Emma’s career has seen her lead clients and agencies to creative and commercial success. As well as leading agencies, Emma has also led many famous brands such as IBM, British Airways, British Gas and Kimberly Clark. She has helped those clients, and more, to win the top industry awards, recognising excellence in brand, integrated, digital, direct and mobile creativity. She and her teams have landed D&AD Yellow Pencils, Cannes Grand Prix, One Show ‘Best in Show’ and DMA Grand Prix through to multiple Effie awards for effectiveness.

In 2020 Emma was awarded the Caples Andi Emerson medal for services to outstanding creativity. Emma puts her ability to flex her creativity across multiple platforms and channels down to a media agnostic, strategically driven approach. She leads by example, believes in meritocracy and is hands-on with the work. Ultimately,

Emma is a Creative Director who inspires and encourages all those around her, clients and agency alike, to greater creativity. As such, she is a much-requested judge at industry awards globally, frequent contributor for publications such as Campaign Magazine and speaker at various industry events such as AdAge.  However, her biggest thrill remains tackling a new brief, solving new problems and coming up with ideas to surprise and delight. 

Tom is an internationally awarded creative that’s worked on everything from 10px emoji’s to Times Square takeovers, he has a broad ranging client experience selling broadband, banks and even a $91m bunny.

His most recent work has been with the NHS producing numerous campaigns to assist access throughout the Covid-19 Pandemic. 

Wayne has over 20 years of industry experience and held creative leadership positions in Australia, Europe and the US. Originally from Australia, Wayne is a failed Pro Surfer who then stumbled into advertising after winning a place at A.W.A.R.D School. After working at famous agencies in Oz, he worked his way around the world and also found time to earn a Master’s in Cognitive Sciences along the way.

Previous to coming to London he was a Creative Director at Jung Von Matt.  He then helped to build Jam before moving to joint-ECD across the Engine Group agencies. More recently he was ECD of AKQA London and helped the agency win several industry titles and be named the UK’s most internationally awarded digital agency.  

Wayne has created numerous innovations and marketing world firsts. He has won over 500 major awards and his work has been highlighted as best-in-class by award shows and publications around the world.

You're no stranger to this Emmy-winning creative’s work (the Emmy was for ""Back-to-School Essentials"" by Sandy Hook Promise, by the way).

Bianca Guimaraes is the maverick behind cultural thunders like Thinx's ""MENstruation"" and ""The Epidemic""—the latest installment of an anti-bullying drive in which Bianca has worked hand-in-hand with Monica Lewinsky.   Bianca created those during her time at BBDO. However, not too long ago, she left that cozy job to do something incredibly bold: help launch a new creative agency in the middle of a pandemic.  

She joined Mischief @ No Fixed Address in July as a founding partner and—in the space of just a few months—made global noise with prominent campaigns.   Some of Bianca’s accomplishments include being named as one of Business Insider’s ‘30 Most Creative People in Advertising Under 30’ in 2012, 2014, 2015 and 2016. Shots magazine selected her for their inaugural list of “Rising Stars;” Adweek included her among its “Creative 100;” The Drum named her to their “50 Under 30” list; She Says and The Voice of a Woman awarded her as The VOWWS Best Creative Director; the One Show and the 3% Conference named her as one of their Next Creative Leaders; and she was featured on AdAge 40 Under 40’s list.  

Her work has been nominated for an Emmy three times and has won more than 100 international awards.   Ultimately, she hopes her achievements can encourage more young women to consider advertising as their profession and inspire women in the business to see a future in it.

Jade is a Creative Adventurer who since graduating from St. Martins in 2008 worked for advertising giant Bartle Bogle Hegarty to digital boutique Hugo & Cat. With 15 years of diverse creative industry experience across a range of lifestyle brands from Volkswagen, Sony, Starbucks, Levi’s to Burberry.

She joined imagination + innovation studios AKQA, where she builds hybrid ideas, storytelling and creative innovation with the leadership team as Group Creative Director.  She has maintained her belief in the value of creativity through the Information & Connected Age. In 2015 her passion and curiosity led to her side hustle CreativeAdventur.es where she runs a Journal & Workshop series for modern founders and entrepreneurs. 

Jade was Campaign’s Faces to Watch in 2009, selected for Cannes Lion ‘See It Be It’ programme 2016 and named Creative Equals & Campaign’s ‘30 Future Female Leaders’ in 2017 and one of Campaign's ‘Trailblazers of the Future’ at the end of 2018.

She is also a proud Judge and mentor in the industry from D&AD New Blood, Academy & Shift Programme to Creative Mentor Network, The Dots Network to SheSays Who’sYourMomma Mentor.

Katrina Encanto leads creative work globally for Persil (or Omo, Skip, Rinso, depending where you live). Upon taking on the role, she helped the brand pivot its global communications during lockdown, championing messy play at home through exclusive content created with National Geographic. Her team has also set off on a journey to redefine the brand’s long-standing ‘Dirt is Good’ platform, with a greater commitment to be kinder to the planet.  

Previously, she served as the CD on sloggi, establishing its bold visual world and irreverent attitude that yielded work that challenged the codes of the category, such as ‘Granny Got Pants’. In 2016, she spearheaded Redraw The Balance, a gender equality campaign that has been recreated by the UN, the NHS and the BBC. On top of being awarded with gold Effies in the UK and in Europe, the work continues to be shared today as proof of why the fight for equality is still necessary.  

Her work has won gold Lions at Cannes, several D&AD pencils, Grand Prix at Adfest and Adstars, and other shiny objects at Clio, LIA, Epica, Creative Circle and Campaign Big. In 2017, she was named one of 30 ‘creative trailblazers’ by Campaign and Creative Equals. She has judged several times at D&AD, serving as Jury President for White Pencil at D&AD New Blood in 2020.

She has also awarded some of the world’s best work at Cannes Lions, Creative Circle, Gerety and Eurobest.

Victoria Buchanan, Executive Creative Director at Tribal Worldwide London, started her career in digital more than 25 years ago. An interactive artist turned coder she found her sweet spot in innovative, interactive digital experiences. Victoria has experience across the board range of clients from Volkswagen, Harvey Nichols, O2, Guinness, Fitness First, Hasbro, Philips, Oxfam, Boots, The Guardian and Unilever.

 Victoria is one of the few female Executive Creative Directors in the industry. She is a total ambassador for Creative Equals and is passionate about championing diversity to help develop more female leaders in our creative worlds.

"You’re from Enfield. You should be pasting up the adverts, not writing them” said Andy’s Mum, many moons ago.    Eventually advertising found a place for Andy. That place happened to in Paddington, at BMP DDB. Luckily, the agency was in one of its golden eras. He however played no part in the agency’s greatness, but created work on VW, Walkers and Marmite that he actually still quite likes to this day.    Soon after, Fallon set up in London and made Andy and his long-term partner Rob Potts its first creatives. Whilst there they wrote populist work for the BBC, Skoda, Sony and Timex. Playing a key role in the rise of the hot shop.   

He later moved on to what became his spiritual home - Mother. Where he worked on Stella Artois, Coca Cola and managed to grow and win - awards, plaudits, effectiveness, you name it he won it. The “dehydrated-noodle-double” being a particular highlight when he managed to create iconic work for both Pot Noodle AND Supernoodles. All the while creating work that made himself proud, his Mum smile and Britain think again.   

His next step across London was to become ECD of Saatchi & Saatchi. Creating work on Toyota, Walls, Fridge Raiders and Carlsberg amongst others. He famously launched the new brand EE after the merger of Orange and T-Mobile. During this time, he’s won awards across the board except the one he’s most proud of is this recognition from his Mum:    “I hate adverts. Apart from the adverts Andy does” she said very recently. 

John Huang is an award-winning Creative Director of Known’s Creative Studios division. Known is a modern marketing company that uses science, strategy and creative to help meet the challenges brands face today. As a Creative Director of the Studios division, John works with the print creative and production team that focuses on entertainment advertising and corporate branding. Some standout campaigns include the launch of Paramount+, The Drew Barrymore Show, Dreamscape Immersive, Rockefeller Center, Game of Thrones, Silicon Valley and NFL RedZone.  

Prior to joining Known, John has worked on hundreds of acclaimed theatrical and network campaigns at agencies such as BLT Communications, Art Machine, and Concept Arts. His body of work includes designing movie posters for films such as Iron Man, The Amazing Spider-Man, Star Trek, 2012 and V for Vendetta.   John holds a BFA in Graphic Design from Art Center College of Design in Pasadena, California.

Danny has worked at Ammirati & Puris and Young & Rubicam. Then a career defining 20 plus years at McCann New York where he is an EVP, Executive Creative Director. He's worked on accounts including Xbox, Coca-Cola, Wendy's, Staples, Sony, Kohl's, Weight Watchers, Verizon, MasterCard, Microsoft, Nikon, Office Depot, Instax and more.

Along with his creative partner, Danny currently oversees multiple global accounts. Together they helped Chick-Fil-A with their national expansion, transformed Cigna into a trusted partner and made Nespresso resonate culturally across 30 countries.

Danny's work has been recognized by Cannes, One Show, The Webbys, London International Awards, Epica, Cresta, New York Festival, EX Awards and the Effies. His work is featured regularly in Creativity and Adweek.

Danny grew up in New Jersey with amazing parents, a big sister and fluffy Pomeranians. He’s a first generation Cuban-American and fluent in Spanish. He graduated from Vassar College and the Portfolio Center in Atlanta.

Danny lives in Williamsburg, Brooklyn with his husband Oscar and their rescue Chihuahua.

Chennai-born and bred, Shivram was brought up by a family of cricket-loving snake charmers, and rode an elephant to school.

Shivram Gopinath is creative director, founding member, and resident grump at UltraSuperNew Singapore, and is in the midst of scrambling to create work for the likes of Martell, Puma and Unilever. He is also co-curator of USN gallery, an interactive space that serves as a launchpad for emerging Asian artists, designers and innovators.

Shivram is a twice-winning Singapore National Poetry Slam Champion, and widely credited for inventing velcro and English.

Jureeporn Thaidumrong, affectionately known as “Judee”, is one of the most awarded creative leaders in the industry. In 30 years of her illustrious career, Judee has become one of the most influential figures in advertising world.

In 2005, Judee opened her own shop “JEH United”. During this tenure, she created many multi-awarded work, including Smooth-E "Love Story" mini-series, Sylvania “Picnic” and the controversial “Sorry Thailand” film that reflected the nation’s political turmoil in 2010. In 2006, Judee was named Creative of the Year by Hong Kong's Media Marketing Magazine and ranked #1 in Campaign Brief Asia as the Hottest Creative in Asia and Campaign’s Asia Creative Person of the Year.

In 2015, the renowned independent shop JEH United was acquired by the WPP Network. Since then, GREYnJ UNITED has given birth to several famously effective campaigns for big local and international brands such as KBank, Pantene, Burger King, Thai Post etc etc... Judee was named “2018 Southeast Asia Creative Person of the Year” by Campaign Asia and ranked #1 in Campaign Brief's poll of Asia’s Creative Director of the Year 2018.

She was honoured with the Hall of Fame from Bangkok Art Directors Association - a coveted title which has not been given out to anyone for the past 9 years and was named Lotus Legend at Adfest 2019. She was also selected into 2019 Adweek’s Creative 100 and counted as 1 in 13 Global Creative Leaders from Ad Industry.

Judee is also a lover and advocate for animals and nature. She’s currently hosting 80+ stray cats and working on her own funding to build the 'Cat Republic Adoptable Cafe' to help stray cats in the city.

She's also the founder and funding for a reforestation and community-building project “Mae Wang Project” in Chiang Mai, Thailand since 2016.

As Momentum’s UK ECD, Kev is responsible for the agency’s creative output across a variety of brands such as American Express, Microsoft and SAP, inspiring audiences all around the world. Over twenty-five years, he’s demonstrated a passion for engaging storytelling, most recently through branded content work to launch Lamborghini’s latest model, and a collaboration with world-renowned photographer, Rankin, to promote Samsung’s new phone. He believes that, in a world where share-of-screen is the new battleground, the ability to make people feel, connect and react beyond the superficial is where brands continue to win.

Tom oversees the UK’s original production, having launched the in-house studio back in 2013, winning awards from Cannes Lions, D&AD, Lovie and Broadcast Digital. He’s recently created genre specialisms in fashion, art, comedy and gaming, with an aim to continue developing projects with deeper audience engagement and production innovation.

Tom’s also been Executive Producer for brand campaigns, scripted comedy pilots, viral stunts, entertainment formats and documentaries for the likes of Amazon Prime, Channel 4, YouTube, Snapchat, and Red Bull.Prior to joining Little Dot Studios, Tom co-founded digital community, SORTEDfood and is an Edinburgh Television Festival Ones to Watch alumni.

Nick Moffat is a freelance writer, CD and brand consultant. Before helping startups define their brands, he was CD at Cubo, and spent 10 years as ACD at Proximity, looking after brands including VW, RNLI, Great Ormond Street Hospital and Capital One.

His work has won awards at Cannes, DMA, Campaign and the Caples. He lives in Central London due to his love for concrete, and would always rather play bass.

After winning all major awards as a copywriter Bruce took over from Sir John Hegarty as ECD at BBH.

He broke away to form Soul and launched Uniqlo in the UK.

After selling his Soul to Nitro, Bruce became a creative consultant to brands as diverse as Sky and Toni and Guy..

Recently, he became a partner in Hatch London and this year won a gold arrow at BTA for Paddy Power.

He is a serial angel investor and advises new brands on creative marketing.

He maintains his best creation though was a tall bloke with a good podcast.